The Grand Exit

There’s something wonderfully cinematic about a newly married couple making their grand exit. The church doors swing open, the guests erupt in cheers, and the newlyweds emerge into a shower of flower petals, confetti, or bubbles. It's one of those fleeting moments when pure celebration takes over.

The tradition of showering newlyweds dates back centuries. Rice was once tossed as a symbol of fertility, prosperity, and good fortune. Today, couples have traded rice for everything from rose petals and lavender to biodegradable confetti and bubbles. Some make their exit beneath an archway of raised hands, while others walk through a gauntlet of cheering friends and family.

And then there's the “getaway car.”

Traditionally decorated by friends and family with ribbons, streamers, tin cans, and a “Just Married” sign, the wedding car has long been a symbol of the couple setting off on their new life together. The rattling cans were once believed to ward off evil spirits, although today they're more likely to announce the newlyweds' departure with a little good-natured commotion.

Modern exits can be just as memorable. I've seen couples climb into vintage convertibles, elegant Rolls-Royces, luggage trolleys, whatever reflects their personalities. Sometimes the car itself becomes as much a character in the photographs as the bride and groom.

From a photographer's perspective, these moments are particularly rewarding because so much happens in such a short time. The anticipation as the doors open, the expressions on the couple's faces, the guests reaching out to congratulate them, and that final wave from the back seat of a departing car.

There's no second take. The petals falls, the car pulls away, and the moment is gone.

But if I've timed it right, the photograph captures something that lasts far longer than the celebration itself: the joy of two people heading into their next chapter together.

The Raucous Adventure of the Hora

You have likely seen the iconic moment when a bride and groom are raised into the air on chairs: that is the Hora. This lively circle dance of Balkan and Eastern European origin became a beloved tradition at Jewish weddings and celebrations, and has also been embraced by couples and guests who love its energy.

For me, photographing the Hora can feel a little like covering a sporting event: fast-moving, unpredictable, and occasionally a battle to get the shot. As guests circle, dance, and move in every direction, the bride and groom—and sometimes close family members—are lifted high in chairs to celebrate.

It is joyful, raucous, and full of motion. I have been bumped, stepped on, pushed, and nearly had camera gear knocked from my hands while trying to capture it all. But it is always a moment people look forward to, and one that so many guests love joining—which is exactly what makes it so special.

What’s in a Toast?

À votre santé.‍ ‍Salute. Salud. Zum Wohl. Skål. Cheers.

What’s in a Toast?

The toast is more than a speech. In ancient Greece and Rome, hosts would raise a cup and drink first to prove it wasn’t poisoned — a simple act of trust. Over time, that gesture became ritual. Glasses clinked to unite spirits. In medieval England, spiced toast floated in wine, giving the tradition its name.

The fear eventually left. The celebrating remained.

It is an honoring.

At a wedding reception, that ritual unites. A glass rises. The room quiets. Someone stands and speaks a name with care.

From behind the lens, I watch more than the speaker — I watch the listeners. Hands finding each other. A parent holding steady. A table leaning in.

The toast is more than a speech.
It’s a public act of recognition.

Sheldon & Rose: The Long Walk